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Gallery News
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Gonzalo Eguiguren Gallery at Feriarte 2026
Introducing ECOS: Between the Old and New Worlds November 14, 2026Discover selected highlights at Feriarte, 21–29 November 2026, IFEMA Madrid, Hall 5, Stand 5D01. A first presentation of ECOS, opening at the gallery on 1 December. -
Saint Barbara and Two Proposed Attributions to Bartolomé de Arenas
Gonzalo Eguiguren’s research connects the signed painting with two portraits of Archbishop and Viceroy Payo Enríquez de Rivera. October 3, 2026Gonzalo Eguiguren proposes two portrait attributions to Bartolomé de Arenas in his study of Saint Barbara, bringing new attention to the painter’s work in seventeenth-century New Spain. -
Santa Eulalia: researching its history, making its return possible
The voluntary restitution of a painting by Gregorio Vásquez de Arce y Ceballos to the Church of San Ignacio, BogotáThe voluntary restitution of Santa Eulalia to the Church of San Ignacio in Bogotá, following provenance research by Gonzalo Eguiguren Gallery. -
Eight loans to Bateas novohispanas. Una encrucijada cultural
Museo de América, Madrid 21 May 2026Eight works lent by Gonzalo Eguiguren Gallery to Bateas novohispanas. Una encrucijada cultural at the Museo de América, Madrid, 21 May–18 October 2026. -
La Roldana at the Museo Nacional de Escultura
Saint Joseph and the Christ Child on loan to Luisa Roldán. Escultora real, Valladolid November 28, 2024Gonzalo Eguiguren Gallery lends La Roldana’s Saint Joseph and the Christ Child to the Museo Nacional de Escultura, Valladolid, for Luisa Roldán. Escultora real, 2024–2025. -
Two important loans to Bosch e un altro Rinascimento
Palazzo Reale, Milan 9 November 2022Leonardo Flores’s The Last Judgement and The Pangolin Fan: two important loans to Bosch e un altro Rinascimento at Palazzo Reale, Milan, 9 November 2022–12 March 2023.
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In the Press
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La misteriosa pintora de las cruces
Tendencias del Mercado del Arte August 27, 2026An account of the gallery’s exhibition and research project on María Josefa Sánchez, with particular attention to painted devotional crosses, female authorship and the artist’s possible relationship with Clemente Sánchez. -
María Josefa Sánchez, una pintora aún por descubrir
ARS Magazine June 26, 2026Sol G. Moreno examines the gallery’s exhibition devoted to María Josefa Sánchez, the devotional function of her painted crosses and the research developed for its accompanying catalogue. -
Un nuevo «San Miguel» de Torcuato Ruiz del Peral
ARS Magazine, no. 70 · April–June 2026In ARS Magazine, Adrián Contreras-Guerrero studies Saint Michael Defeating the Demon , presented by Gonzalo Eguiguren Gallery, and attributes it to the Granada sculptor Torcuato Ruiz del Peral. Dating from... -
Iconografía mariana durante la primera globalización
La Hornacina January 14, 2026La Hornacina presents El Manto de los Pueblos, focusing on the varied materials and artistic traditions through which Marian imagery circulated between Asia, the Americas and Europe. -
La guadalupana, un puente entre dos mundos
ARS Magazine December 19, 2025A review of El Manto de los Pueblos, exploring the circulation of Marian imagery between Europe, the Americas and the Philippines through works in a wide range of materials. -
The restitution of Santa Eulalia in the press
El Espectador · ACI Prensa · Las2orillas November 30, 2025Selected reporting on the voluntary restitution of Santa Eulalia to the Church of San Ignacio in Bogotá, following research by Adrián Contreras-Guerrero. El Espectador 31 October 2025 · Redacción Cultura... -
Gonzalo Eguiguren restituye una joya del arte virreinal a Bogotá
ARS Magazine October 23, 2025Sol G. Moreno reports on the gallery’s voluntary restitution of Gregorio Vásquez de Arce y Ceballos’s Santa Eulalia to the Church of San Ignacio in Bogotá, following research into its... -
Cuando los mantones brillan como obras de arte
ARS Magazine September 30, 2025ARS Magazine reviews The Arts of the Manila Galleon, considering the relationships between textiles, lacquer, painting and devotional objects in the gallery’s exhibition. -
«Seda, laca y enconchado»: la huella artística del Galeón de Manila llega a Madrid
Telemadrid · Madrid Directo September 29, 2025Madrid Directo visits the gallery’s exhibition devoted to the artistic exchanges associated with the Manila Galleon, with a television report on silk, lacquer and enconchado.
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Journal
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Studies
Scholarly studies of individual works and collections.These studies are available free of charge on request. Please email the gallery with your name and intended use. We will review your request and send the PDF upon approval.
Gonzalo Eguiguren Gallery — Studies XXVII · 2026
Our Lady of Valvanera
Don Francisco de Morales
Santiago de Guatemala, second half of the seventeenth centuryResearch by Gonzalo Eguiguren
An illustrated study of the painting, its signature and the Bobadilla coat of arms, examining the proposed identification of the painter and the work’s Guatemalan context.
Gonzalo Eguiguren Gallery — Studies · 2025
Saint Barbara
Fray Bachiller Bartolomé de Arenas
New Spain, seventeenth centuryResearch by Gonzalo Eguiguren
An illustrated study of the signed painting, its relationship with Mexican lacquerware and the proposed attribution of two portraits of Archbishop and Viceroy Payo Enríquez de Rivera.
Gonzalo Eguiguren Gallery — Studies
The Holy Family
Attributed to Gregorio Gamarra, 1600–1620
Study by Adrián Contreras-Guerrero
A study of an early Andean Holy Family, examining its Mannerist sources and the proposed attribution to Gregorio Gamarra through comparisons with his signed paintings.
Gonzalo Eguiguren Gallery — Studies
The Virgin and Child
Miguel Cabrera, c. 1751–1768
Study by Adrián Contreras-Guerrero
An examination of the painting’s Latin inscriptions, tears and Passion symbolism, and of the stylistic and technical evidence connecting the unsigned canvas with Miguel Cabrera.
Gonzalo Eguiguren Gallery — Studies
Ecce Homo
Alonso López de Herrera, 1624–1640
Study by Adrián Contreras-Guerrero
An illustrated study of this devotional panel, its dense crown of thorns and precise technique, with comparisons to related representations of Christ in Mexican collections.
Gonzalo Eguiguren Gallery — Studies
Saint Anne Teaching the Virgin to Read
Pedro José Díaz, Lima, 1797
Study by Sofía Fernández
A study of the signed and dated painting, exploring the intimate relationship between mother and daughter, sacred reading and the theme of female education in viceregal Peru.
Gonzalo Eguiguren Gallery — Studies
Jesus before Caiaphas
Attributed to Marcos Zapata, Cusco, c. 1750
Study by Luis Eduardo Wuffarden
An analysis of the proposed attribution to Marcos Zapata and the transformation of a European print into a richly coloured Passion scene shaped by eighteenth-century Cusco painting.
Gonzalo Eguiguren Gallery — Studies
Saint Joseph and Child
Attributed to Gaspar de Figueroa Saucedo, New Granada
Study by Adrián Contreras-Guerrero
A study of the painting’s place within the Figueroa family’s production, comparing facial types and devotional imagery and examining the attribution to Gaspar de Figueroa.
Gonzalo Eguiguren Gallery — Studies
Child Resting under Flowers
Juan van der Hamen y León, Madrid
Study by José María Quesada Valera
A study of a post-mortem child portrait and its floral imagery, relating it to Van der Hamen’s documented work and to courtly commemorative traditions. The child’s identity remains unresolved.
Gonzalo Eguiguren Gallery — Studies
The Last Judgement
Leonardo Flores
Study by Gonzalo Eguiguren
An illustrated study of the Last Judgement and related works, examining Leonardo Flores’s religious imagery, European print sources and the pictorial culture of the Audiencia of Charcas.
Gonzalo Eguiguren Gallery — Studies
Nuestra Señora de Atocha Salt Cellar
Unidentified silversmith, Viceroyalty of Peru; no later than 1622
A study of the construction, ornament and marks of this gilt-silver salt cellar, with an account of its connection to the wreck of Nuestra Señora de Atocha.
Gonzalo Eguiguren Gallery — Studies
The Conversion of Mary Magdalene
Salvador Sandoval Inca, Cusco, seventeenth century
An examination of the painting’s unusual conversion imagery and its attribution to Salvador Sandoval Inca, placing it among the works of Indigenous painters active in Cusco after the earthquake of 1650.
Gonzalo Eguiguren Gallery — Studies
Saint Eulalia
Gregorio Vásquez de Arce y Ceballos, 1692–1698
Study by Adrián Contreras-Guerrero
A study of this small devotional panel, its iconography and its relationship to the work of Gregorio Vásquez and the religious painting of New Granada.
Gonzalo Eguiguren Gallery — Studies
Altarpiece of the Virgin of Guadalupe
Unidentified Guatemalan artist, c. 1750–1780
Study by Adrián Contreras-Guerrero
An investigation of a miniature Guatemalan altarpiece combining carved and gilded wood, mirror glass and painting on metal, and of its relationship to devotional images and domestic worship.
Gonzalo Eguiguren Gallery — Studies
Saint Cecilia
Unidentified Peruvian artist, 1750–1800
Study by Adrián Contreras-Guerrero
An illustrated study of a small oil on copper depicting the patron saint of music, considering her iconography and the painting’s elaborate frame within the decorative arts of viceregal Peru.
Gonzalo Eguiguren Gallery — Studies
Grotto-Heaven Folding Screen
Macao, China, late Ming dynasty
Study by Javier Alberto Eguiguren and José Manuel Eguiguren
A detailed study of this rare eight-panel screen, its landscape, birds, flowers and gilded relief, exploring the concept of grotto-heaven and the cultural exchanges between China and the wider world.
Gonzalo Eguiguren Gallery — Studies
Virgin and Child
Giovanni Nicolao and workshop
Study by Fernando Antonio Baptista Pereira; edited by Annemarie Jordan Gschwend
A study of a painting attributed to Giovanni Nicolao and his Japanese workshop, exploring European models, local techniques and the exchange of artistic traditions between Europe and Asia.
Gonzalo Eguiguren Gallery — Studies
Saint Bartholomew
Domingo Ram, Calatayud, c. 1500
Study by Albert Velasco
An illustrated investigation of a panel from a dispersed Aragonese altarpiece, reviewing its attribution, provenance and relationship to the surviving components of the ensemble.
